December: Christmas Ghost Story

The car shakes us as it travels over gravel. I watch the bushes at the side of the road. My head is against the glass of the window. The seatbelt is at my neck. The bushes have spiky leaves in yellow, light green, dark green. We pass a set of bushes with fuzzy red berries, long spindles of branches. ‘What are they?’ I turn to ask Martha. She doesn’t look away from the road.

‘Just bushes,’ she says.

The house at the end of the drive rises. Its white columns are like the bones of another house, a house that has long ago withered into this one. It’s a sun bleached carcass of a house. Martha’d said that she’d found it last minute. That the reviews were good. That the pictures were good. We’d spend a few days here then head up to meet the others at the mountain lodge. My ex was going to be there, at the lodge. Christmas isn’t the right time to break this to her, we both think that, so we’re stealing a few extra days stolen before we have to be just friends.

‘Spooky house,’ I say.

Martha shrugs as she pulls our bags from the boot. ‘You think everything in the countryside is spooky.’

‘Bring me to a city,’ I say, ‘I’ll be happy.’

‘New York next year then,’ she says, slapping my arse. ‘Here, help me with the keys.’

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December: King Kong at Christmas

Christmas for Kong had never been as bloody, nor as violent and carnal, as legend might lead one to expect. For so many decades the community on the other side of the barrier, seething with their own concerns, had made tribute to the great Kong, the King Kong. Fashions and tastes changed from generation to generation behind the barrier, but the offerings remained as steadfastly, as solidly, uniform as the dread Kong himself. It is no wonder, of course, that the people thought of him as a god. And as a god he could not go blameless when a typhoon capsized the fishing boats and destroyed the market. But as a god he could be placated; a quiet Christmas could be predicted by a doubling of tribute. Not just a young girl, scented with clove oil and drugged to calmness, but also a teenage boy picked by a lottery, and a basket of glass blown into shapes too delicate for Kong to handle. The glass shapes represented fishes, fruits, sometimes eggs (for fertility), female shapes (for luck in marriage) and flowers. For the people behind the barrier, flowers symbolised prosperity. If Kong overturned the basket while ripping the human offerings from their stakes, then a bad year was foretold. If the basket remained more or less intact then the people could rejoice in a great and fortuitous year ahead. He ate the offerings. This is what he has always done. For the offerings to take place at Christmas was natural: the Winter Solstice heralded the triumph of light over darkness and a true beginning to the next twelve months of survival and trade.
Christmas tree angel
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