It’s an ‘Ask’. It’s what you write so that someone says ‘Yes.’
Proposals I’ve written in my dance heritage job sometimes don’t have a strong enough ask, or clear enough. They don’t help someone see why they should care, never mind give money or other kinds of support. It’s a skill to figure out what sort of Ask leads to getting what you need. I’ve been improving. Sometimes the swell of support has even breached its banks and I flip like fish unrivered until I get my regain my bearings.
What inspires a bound from No to Yes?
This week gone I’ve had to think of different ways to ask for a work trip abroad, to write a job description and, most difficult of all, I’ve had to think of a way to ask an agent whose client list I adore, ‘Will you read my work? Will you please?’
I went to the 2016 Curtis Brown and Conville and Walsh Discovery Day at Foyles, first page of Outrigger curled in my bag and a 30 second pitch memorised. Amelie* and I had the same time slot. We met first for lunch to calm ourselves down. We talked about work, about career moves, about trying to live in London when you’re not an oligarch. Becalmed we went to Foyles. Too calm. We were convinced that we were early when in fact we were about to be late, oops.
Foyles is a beautiful bookstore. We queued in its well dazzled by books. I was holding it together. Then I was shown to my agent, turns out she is my dream agent, ahhahaha yikes. And she asks me to pitch my book and my memory slips away, and I somehow reel it back and I am floundering but she likes my page and she says, ‘Send it to me.’
I can’t ask for more than this.
*(superstar writer you’ll read a lot about one day)